Explore the fascinating life of Leopold Godowsky, a renowned musician born in 1870
near Vilnius, in the small village of Žośle, to a Polish Jewish family living on Polish
territory under Russian rule (now Lithuania). His life ended on 21 November 1938 in
the vibrant city of New York. Godowsky stands as one of the leading piano virtuosos
of the late 19th and early 20th centuries, his performances admired by luminaries
such as Sergei Rachmaninoff, Edvard Grieg, Pyotr Tchaikovsky, and Ignacy Jan
Paderewski. From 1908 to 1914, he served as a professor at Vienna’s Akademie der
Tonkunst, earning the highest salary of any piano teacher in Europe. His technique
was so renowned that, upon arriving in the United States, his hands were insured for
an astonishing $1 million. He was also the first pianist to perform a solo recital on the
prestigious stage of Carnegie Hall in New York.
Despite relentless touring across Europe and the United States, Godowsky remained
deeply committed to composition. He left an enduring legacy with his fifty-three
transcriptions of Chopin’s études – works many still consider virtually unsurpassable,
alongside graceful salon pieces. Remarkably, Godowsky’s musical journey began not
on the piano but with the violin, guided by a mentor who despised the piano and thus
encouraged the young artist’s secret pursuit of it. A genius in his own right, he
embodied the spirit of Polish music, especially in his flawless interpretations of
Chopin. His concert tours fulfilled a lifelong wanderlust, taking him to cultural
landmarks worldwide and connecting him with eminent figures in culture, science,
and politics – experiences that enriched both his life and his music. At the core of his
body of work is the Viennese waltz, a form close to his heart and featured in lavish
cycles composed in triple metre, most notably Walzermasken and Triakontameron.
Composed for the legendary Fritz Kreisler, the larger-scale works, miniatures and
poetic waltzes heard here are not piano showpieces with a violin grafted on; they are
fresh, intimate re-imaginings that fuse Chopinesque lyricism with late-Romantic
colour. The result is music as welcoming to newcomers as it is rewarding to
connoisseurs.
The programme also features a world première: Kenny Broberg’s new duo version of
Ein Dämmerungsbild – the first time this evocative piano piece has been performed
through strings. Its inclusion completes Godowsky’s entire chamber repertoire for
these forces on disc.
Performers Sara Dragan and Kenny Broberg embody the composer’s own journey
from Old World to New. Dragan, a rising star of the Polish violin school, connects to
Godowsky’s Eastern-European roots; Broberg, an American pianist trained by Abbey
Simon – himself a pupil of Godowsky – provides a living link to the master’s tradition.
Their partnership unites continents and generations, infusing every bar with
authenticity,
finesse, and fresh discovery.
In a repertoire full of the familiar, Godowsky Timeless
offers something rare: late-Romantic eloquence that feels both newly discovered and
immediately captivating. Enter this “secret” corner of the canon and hear how
brilliantly Godowsky’s voice still resonates today